"[89] Charles Pulliam-Moore of Gizmodo wrote that "Soul comes throughout less like an earnest and casual celebration of daily Blackness, and much more just like a twee depiction of it that's meant for white audiences' consumption."[90] Namwali Serpell of The New Yorker published an extensive critical essay of the film, https://josue7s16j.acidblog.net/57781978/the-smart-trick-of-soul-that-no-one-is-discussing